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| Gerard de Lairesse (1641–1711) | ||||||||||
| Born in Liège, de Lairesse was the son of artist Renier de Lairesse, who educated him in belles-lettres, poetry, music, and design. He studied under Bertholet Flemalle and gained early recognition as a portrait painter. Soon after, he was commissioned for historical works by the Electors of Cologne and Brandenburg, building his reputation. Despite substantial earnings, his lavish lifestyle left him impoverished. Moving from Utrecht to Amsterdam, he became regarded as the leading historical painter of his time. In 1690, at fifty, he lost his sight but continued to share his ideas on art theory, later compiled into a treatise on design and colour. His style, grand and poetic, was rooted in history and mythology, with attention to costume accuracy. Though often compared to Nicolas Poussin for his composition and design, de Lairesse lacked Poussin's classical depth and refinement. Known for painting with exceptional speed, he is said to have completed Mount Parnassus with Apollo and the Nine Muses in a single day. His backgrounds, often rich in architecture, reveal a strong understanding of the subject. While his figures could be stiff and short, it is impressive that he achieved such a sophisticated style without travel or advanced models. As an engraver, de Lairesse etched numerous plates, using bold strokes that brought focus to the main figures. He died in Amsterdam. | ||||||||||
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