|
|
|
|||||||||
|
|
||||||||||
The Five Senses:
Taste Engraving, by Pieter Schenk (I) (1660–1711), after Petrus Staverenus Rijksmuseum, Amsterdam |
||||||||||
| Part of a series depicting the five senses, here a man’s exaggerated expression—wide eyes, open mouth, and bared teeth—indicating a dramatic reaction to tasting something, yet his glass is clearly empty. This contradiction creates a satirical tone, mocking the performance of taste when there’s nothing to taste. Typical of 17th-century Dutch genre prints, it lampoons gluttony, drunkenness, or pretentious behaviour through visual irony. |
||||||||||