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Films directed by Stanley Kubrick
A
celebrated filmmaker known for his meticulous approach and
thematic depth, Stanley Kubrick crafted an array of compelling
films that have left an enduring impact on cinema. From the
psychological intensity of A Clockwork Orange to
the eerie atmospheres of The Shining, Kubrick's oeuvre
reflects his unwavering commitment to storytelling and visual
innovation. His films often probe into the depths of human
psyche, exploring existential quandaries and moral dilemmas
with profound insight. With works such as 2001: A Space
Odyssey revolutionising science fiction filmmaking and
Dr. Strangelove offering biting satire on political
absurdity, Kubrick's contributions to cinema have pushed boundaries,
challenged conventions, and inspired countless filmmakers,
solidifying his legacy as one of the most influential figures
in the history of film.
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Year |
Title |
Production |
Producer |
Screenplay |
Length |
|
1951 |
Day
of the Fight |
RKO Radio |
Jay
Bonafield |
Robert Rein (based on Kubrick’s Look magazine
pictorial) |
16 |
|
1952 |
Flying
Padre |
RKO Radio |
Stanley Kubrick |
|
9 |
|
1953 |
The
Seafarers |
Pietrzak
Filmways |
Lester
Cooper |
Will Chasen (writer) |
30 |
|
1953 |
Fear
and Desire1 |
Joseph
Burstyn, Inc. |
Stanley
Kubrick;
Martin Perveler |
Stanley Kubrick; Howard Sackler |
68 |
|
1955 |
Killer's
Kiss |
United Artists |
Morris Bousel;
Stanley Kubrick |
Stanley Kubrick |
67 |
|
1956 |
The
Killing |
United Artists |
James B. Harris;
Alexander Singer |
Stanley Kubrick; Jim Thompson (based on the novel Clean
Break by Lionel White) |
85 |
|
1957 |
Paths
of Glory |
United Artists |
James B. Harris |
Humphrey Cobb (based on his novel of the same title); Stanley
Kubrick; Jim Thompson; Calder Willingham |
86 |
|
1960 |
Spartacus |
Universal-
International |
Kirk Douglas;
Edward Lewis |
Dalton Trumbo (based on the novel of the same title by Howard
Fasta) |
184 |
|
1962 |
Lolita |
Metro-Goldwyn-
Mayer |
Stanley Kubrick |
Vladimir Nabokov (based on his novel) |
152 |
|
1964 |
Dr.
Strangelove or: How I Learned to Stop Worrying and Love the
Bomb |
Columbia
Pictures |
Stanley Kubrick |
Peter George |
93 |
|
1968 |
2001:
A Space Odyssey2 |
Metro-Goldwyn-
Mayer |
Stanley Kubrick |
Arthur C. Clarke (based on his story 'The Sentinel'); Stanley
Kubrick |
139/1563 |
|
1971 |
A
Clockwork Orange |
Warner Bros |
Stanley Kubrick;
Si Litvinoff;
Max L. Raab;
Bernard Williams |
Stanley Kubrick (based on the novel of the same title by
Anthony Burgess) |
137 |
|
1975 |
Barry
Lyndon |
Warner Bros |
Jan Harlan;
Stanley Kubrick;
Bernard Williams |
Stanley Kubrick (based on the novel of the same title by William
Makepeace Thackeray) |
184 |
|
1980 |
The
Shining |
Warner Bros |
Stanley Kubrick;
Jan Harlan;
Robert Fyer |
Diane Johnson; Stanley Kubrick (based on the novel of the same
title by Stephen King) |
146 |
|
1987 |
Full
Metal Jacket |
Warner Bros |
Stanley Kubrick |
Gustav Hasford (based on his novel The Short-Timers);
Michael Herr; Stanley Kubrick
|
116 |
|
1999 |
Eyes
Wide Shut |
Warner Bros |
Stanley Kubrick |
Stanley Kubrick (based on the novella 'Dream Story' by Arthur
Schnitzler) |
159 |
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Notes
1. Alternative title: Shape of Fear, The Trap.
2. Alternative title: Journey Beyond the Stars, Two Thousand
and One: A Space Odyssey.
3. 139 minutes for the final cut, 156 for the premiere.
Sources:
1. Encyclopaedia Britannica. Chicago: Encyclopaedia
Britannica, 2012.
2. G.D. Phillips and R. Hill. The Encyclopedia of Stanley
Kubrick. New York: Facts On File, 2002.
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