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UC Picture Gallery
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Aida
A masterpiece by Giuseppe Verdi, Aida is a four-act
opera that debuted at the Opera Theatre, Cairo, on the 24th
of December 1871. Verdi, known for his operas that often
intertwined personal struggles with political themes, set
Aida against the backdrop of Ancient Egypt. The
opera draws inspiration from a French play of the same name
by Auguste Mariette, a renowned Egyptologist. Mariette's
work was itself based on his historical research and fascination
with Egypt's past. The story centres on Aida, an Ethiopian
woman of royal blood captured and enslaved by the Egyptians.
Torn between her love for Radames, a promising Egyptian
military commander, and her unwavering loyalty to her enslaved
father, Amonasro, the Ethiopian king, Aida is thrust into
a heart-wrenching conflict. Further complicating the situation
is Amneris, the daughter of the Egyptian king, who is passionately
in love with Radames. Amneris harbours deep feelings for
Radames, unaware of his love for Aida. As the war progresses,
Radames is chosen to lead the Egyptian army against the
Ethiopians. Consumed by love and patriotism, Aida wrestles
with a devastating choice – betray Radames and help
her enslaved father secure victory for Ethiopia, or protect
the man she loves and risk the downfall of her homeland.
Verdi utilises a grand orchestra to create a rich and vibrant
musical accompaniment that complements the unfolding drama.
He collaborated with Antonio Ghislanzoni on the libretto,
which uses a mix of recitative and lyrical arias that allow
characters to express their deepest emotions. The powerful
arias showcase the vocal prowess of the lead characters,
in particular, Radames's 'Celeste Aida' expressing his love
for Aida, and Aida's heart-wrenching 'O patria mia' yearning
for her lost Ethiopia. Stirring choruses, such as the triumphant
'Gloria all'Egitto' sung after a military victory, provide
a counterpoint to the intimate struggles of the central
characters. Balletic elements are also incorporated, most
notably the grand 'Triumphal March' celebrating the victorious
Egyptian army's return. Aida is not just a love story; it
is a complex exploration of political intrigue, war's devastating
consequences, and the internal battles between love and
duty. The opera's magnificent scale is evident not only
in its musical complexity, but also in the elaborate sets
and costumes typically employed in productions. With its
timeless themes and enduring popularity, Aida remains a
cornerstone of the operatic repertoire, performed on stages
across the globe.
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The
Opera |
| Characters |
|
Name |
Description |
Voice
Type |
Premiere Cast |
|
The King |
King of Egypt |
bass |
Tommaso
Costa |
|
Amneris |
daughter of the King |
mezzo-soprano |
Eleonora
Grossi |
|
Aida |
Ethiopian slave |
soprano |
Antonietta
Pozzoni-Anastasi |
|
Radames |
Captain of the Guard |
tenor |
Pietro Mongini |
|
Ramfis |
High Priest |
bass |
Paolo
Medini |
|
Amonasro |
King of Ethiopia, father of Aida |
baritone |
Francesco
Steller |
|
Termouthis |
High
Priestess |
soprano |
Marietta
Allievi |
|
A messenger |
|
tenor |
Luigi
Stecchi-Bottardi |
|
Priests,
priestesses, ministers, captains, soldiers, officials, Ethiopian
prisoners and slaves, Egyptian populous, etc.
|
chorus
|
|
| Setting
|
|
Memphis and Thebes during the reign of the pharaohs. |
| Acts
and Scenes |
|
Prelude |
|
Act
I |
Role |
Scene
I
|
|
1 |
Introduction and Scene |
'Sì, Corre voce che l'Etiope ardisca' |
Ramfis, Radames |
|
2 |
Romanza |
'Se quel guerriero io fossi! ... Celeste Aida' |
Radames |
|
3 |
Duet |
'Quale insolita gioia nel tuo sguardo!' |
Amneris, Radames |
|
4 |
Terzetto |
'Vieni, o diletta appressati' |
Amneris, Aida, Radames |
|
5 |
Scena e pezzo d'assieme |
'Alta cagion v'aduna' |
The King, a messenger, Radames, Ramfis, chorus, Aida, Amneris |
|
6 |
|
'Su! del Nilo al sacro lido' |
The King, Ramfis, chorus, Aida, Radames, Amneris |
|
7 |
Scene |
'Ritorna vincitor!' |
Aida |
|
Scene
II |
|
8 |
Consecration Scene and First Finale |
'Possente Fthà' … 'Tu che dal nulla' |
Priestess, chorus, Ramfis |
|
9 |
Ceremony of the Priestesses |
'Immenso Fthà' … 'Mortal, diletto ai Numi' |
Priestesses, chorus, Ramfis |
|
10 |
|
'Nume, custode e vindice' |
Ramfis, Radames, chorus, Priestess |
|
Act
II |
Role |
Scene
I |
|
1 |
Introduction: Scene and Chorus of Women |
'Chi mai fra gl'inni e i plausi' |
Chorus, Amneris |
|
2 |
Dance of the Moorish Slaves |
'Vieni: sul crin ti piovano' |
Chorus, Amneris |
|
3 |
Scene and Duet |
'Fu la sorte dell'armi a' tuoi funesta' |
Amneris, Aida |
|
4 |
|
'Su! del Nilo al sacro lido' … 'Numi, pieta' |
Chorus, Amneris, Aida |
|
Scene
II |
|
5 |
Second Finale |
'Gloria all'Egitto, ad Iside' |
Chorus, Ramfis |
|
6 |
Triumphal March |
|
|
|
7 |
Ballet |
|
|
|
8 |
|
'Vieni, o guerriero vindice' |
Chorus |
|
9 |
|
'Salvator della patria' |
The King, Radames, Ramfis, chorus |
|
10 |
|
'Che veggo! ... Egli? ... Mio padre!' … 'Anch'io pugnai' |
Aida, Amneris, Radames, Ramfis, the King, chorus, Amonasro |
|
11 |
|
'O Re: pei sacri Numi' … 'Glora all'Egitto' |
Radames, the King, Amneris, chorus, Ramfis, Aida, Amonasro |
|
Act
III |
Role |
|
1 |
Introduction and Prayer |
'O tu che sei d'Osiride' ... 'Vieni d'Iside al tempio' |
Chorus, Ramfis, Amneris |
|
2 |
Romanza |
'Qui Radames verrà! ... 'O patria mia' |
Aida |
|
3 |
Duet |
'Ciel! Mio padre!' ... 'Rivedrai la foreste imbalsamate' |
Aida, Amonasro |
|
4 |
Duet, Scene and Third Finale |
'Pur ti riveggo, mia dolce Aida ... Nel fiero anelito' |
Radames, Aida |
|
5 |
|
'Fuggiam gli ardori inospiti … Là, tra foreste
vergini' |
Aida, Radames |
|
6 |
|
'Aida!' ... 'Tu non m'ami! ... Va'!' |
Radames, Aida, Amonasro, Amneris, Ramfis |
|
Act
IV |
Role |
Scene
I |
|
1 |
Scene and Duet |
'L'aborrita rivale a me sfuggia' |
Amneris |
|
2 |
|
'Già i Sacerdoti adunansi' |
Amneris, Radames |
|
3 |
Judgement Scene |
'Ohimè! ... morir mi sento' |
Amneris, Ramfis, chorus |
|
Scene
II |
|
4 |
Scene, Duet and Last Finale |
'La fatal pietra sovra me si chiuse...' |
Radames, Aida |
|
5 |
|
'Immenso Fthà' ... 'O terra addio' |
Chorus, Aida, Radames, Amneris |
 |
Sources:
1. H. Busch. Verdi's Aida. Minneapolis: University
of Minnesota Press, 1979.
2. Giuseppe Verdi, Aida [DVD]. Millo, Zajick, Domingo,
Burchuladze, Milnes et al, Metropolitan Opera Orchestra, conducted
by James Levine, recorded 1989, Deutsche Grammophon GmbH,
2000.
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