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Salvator Mundi
Oil on panel, 65.7 x 45.7 cm, attributed to Leonardo da Vinci, c. 1500
Louvre Abu Dhabi, Abu Dhabi
 

Long thought to be a copy of a lost original, this painting has garnered immense attention and controversy since its rediscovery in 2005. The portrait depicts Jesus Christ as the Saviour of the World, his serene gaze and raised hand offering a benediction to the viewer. Dressed in an anachronistic blue Renaissance garment, Christ holds a transparent crystal orb in his left hand, symbolising his divine power and dominion over the heavens. Its authenticity has been the subject of intense debate among art experts. The extensive restoration it underwent after its rediscovery (the result described by one critic as 'inert, varnished, lurid, scrubbed over and repainted so many times that it looks simultaneously new and old'), the lack of clear provenance, and stylistic discrepancies with da Vinci's other works have raised questions about its true authorship. In 2017, the painting was sold at auction for a record-breaking $450.3 million. In 1958, it was sold at auction in London for a mere £45.

 

Provenance
Possibly commissioned after 1500 by King Louis XII of France (1462–1515)
Possibly Henrietta Maria of France (1609–1669), wife of King Charles I of England
Captain John Stone, 1651
King Charles II of England, 1660
King James II of England, 1685
Catherine Sedley, Countess of Dorchester (1657–1717), or John Sheffield, 1st Duke of Buckingham and Normanby (1648–1721)
Sir Charles Herbert Sheffield, 1st Bt, 1721?
John Prestage, London, 1763
Sir Charles Robinson (1824–1913)
Sir Francis Cook, 1st Bt, 1900
Sir Frederick Cook, 2nd Bt, 1901
Sir Herbert, 3rd Bt, 1920
Sir Francis Cook, 4th Bt, 1939
Private collection, United States, 1958
Robert Simon, New York
Private sale; Sotheby’s, New York
Prince Badr bin Abdullah Al Saud of Saudi Arabia

Source: Christies, 2017.